"Bicycle Thieves" is an iconic film that exemplifies which filmmaking movement?

"Bicycle Thieves" is a standout example of Italian Neorealism, a filmmaking movement that emerged in Italy after World War II. This movement is characterized by its focus on the everyday struggles of ordinary people, often highlighting social issues and using non-professional actors in a realistic style. "Bicycle Thieves," directed by Vittorio De Sica, encapsulates these themes as it tells the poignant story of a father searching for his stolen bicycle, which is essential for his job, thereby representing the widespread hardships faced by the Italian populace during that time.

Italian Neorealism also often employs naturalistic settings, shot on location, to enhance the authenticity of the narrative. The film's minimalist dialogue and emphasis on character emotions and social contexts further exemplify the principles of this movement. In contrast, the other filmmaking movements mentioned, such as French New Wave, which is known for its innovative techniques and a focus on youth culture, and German Expressionism, recognized for its stylized visuals and psychological themes, differ significantly in their artistic objectives and aesthetics. The Hollywood Golden Age focuses on polished productions and star-driven narratives, which is also distinct from the raw and intimate portrayals typical of Italian Neorealism.