What cultural movement is NOT associated with the liberation of filmmakers in the 1960s?

The cultural movement that is not associated with the liberation of filmmakers in the 1960s is the technological advancement in CGI. During this period, filmmakers were greatly influenced by various social and political movements, such as the sexual revolution, the civil rights movement, and the Vietnam War, which all fostered new artistic expressions, challenged established norms, and expanded the possibilities of storytelling in cinema.

The sexual revolution brought forth themes of sexuality, personal freedom, and experimentation in film narratives, while the civil rights movement inspired filmmakers to address issues of race and social justice, thus promoting diversity and challenging the status quo. Additionally, the Vietnam War deeply affected the narrative structures and moral questions posed in films of that era, leading to a more critical and often darker portrayal of American society.

In contrast, CGI (computer-generated imagery) began its significant development much later, predominantly in the late 1970s and 1980s. During the 1960s, filmmakers did not have access to the technological capabilities that CGI provided, and therefore, this option does not align with the cultural movements that liberated filmmakers and shaped cinema during that specific decade.