Which of the following is a key characteristic of the French New Wave films?

The key characteristic of the French New Wave films is urban backgrounds with personal relationships. This movement emerged in the late 1950s and 1960s, emphasizing innovative techniques and a departure from traditional filmmaking conventions. French New Wave directors often set their films in contemporary urban environments, which served as reflections of modern life and society. These settings allowed filmmakers to explore and depict the complexities of personal relationships and the human experience in a relatable context.

The focus on personal relationships also mirrors the movement's preoccupation with characters' inner lives and emotional struggles, often depicted through a more informal and spontaneous storytelling approach. This emphasis on the personal over the political or a strictly structured narrative aligns with the ethos of freedom and experimentation that defined the French New Wave.

While some films within this movement might touch on social themes, the overall hallmark is not predominantly political content. Instead, the celebration of individual stories and urban life stands out, marking a significant departure from prior cinematic conventions, such as standard narrative structures, which were often more rigid and predictable. The movement also favored contemporary settings rather than exclusively rural backdrops, further solidifying the urban aspect of its characteristic style.