Who is known for the "Montage" theory in film editing?

The "Montage" theory in film editing is most closely associated with Sergei Eisenstein, who is renowned for his innovative approach to editing and the use of montage as a narrative technique. Eisenstein believed that the juxtaposition of shots could generate new meanings and evoke emotional responses from the audience, a concept encapsulated in his term "intellectual montage." He argued that well-edited sequences could manipulate audience perception and comprehension, combining images in a way that created a dialectic effect where the viewer interprets the interplay of ideas presented in the film.

Eisenstein's work, particularly in films like "Battleship Potemkin," showcased these principles by using montage to enhance drama and tension. His theories significantly influenced the development of cinematic language and editing styles, highlighting the power of editing not merely as a technical process but as a crucial artistic tool in storytelling. Understanding Eisenstein’s contributions provides insight into how film editing shapes viewers’ experiences and interpretations of motion pictures.